Friday, 22 July 2011

Carnatic music

Music


The ragas and talas of lyrical and devotional carnatic music — another native product of South India — dominates Keralite classical musical genres. Swathi Thirunal Rama Varma, a 19th-century king of Travancore and patron and composer of music, was instrumental in popularising carnatic music in early Kerala.[10][11] Additionally, Kerala has its own native music system, sopanam, which is a lugubrious and step-by-step rendition of raga-based songs. It is sopanam, for example, that provides the background music used in kathakali. The wider traditional music of Kerala also includes melam (including the paandi and panchari variants), as style of percussive music performed at temple-centered festivals using an instrument known as the chenda. Up to 150 musicians may comprise the ensembles staging a given performance; each performance, in turn, may last up to four hours. Panchavadyam is a differing type of percussion ensemble consisting of five types of percussion instruments; these can be utilised by up to one hundred artists in certain major festivals. In addition to these, percussive music is also associated with various uniquely Keralite folk arts forms. Lastly, the popular music of Kerala — as in the rest of India — is dominated by the filmi music of Indian cinema.

Martial arts and sports

Kerala also has its own indigenous form of martial artKalarippayattu, derived from the words kalari ("place", "threshing floor", or "battlefield") and payattu ("exercise" or "practice"). Influenced by both Kerala’s Brahminical past and Ayurvedic medicine, kalaripayattu is attributed by oral tradition to Parasurama. After some two centuries of suppression by British colonial authorities, it is now experiencing strong comeback among Keralites while also steadily gaining worldwide attention. Other popular ritual arts include theyyam and poorakkali — these originate from northern Malabar, which is the northernmost part of Kerala. Nevertheless, these have in modern times been largely supplanted by more popular sports such as cricket, kabaddi, soccer, badminton, and others. 'Kochi Tuskers Kerala' playing in the Indian Premier League (IPL) is from Kerala. Kerala is home of the football clubs Viva Kerala and FC Kochin.

Literature

Malayalam literature is ancient in origin, and includes such figures as the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. Later, such contemporary writers as Booker Prize winner Arundhati Roy (whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem) have garnered international recognition. From 1970 to early 1990s, a lot of Malayalam Novelists and story writers contributed to the Literature of Kerala. The contributions from OV Vijayan, CV Sriraman, T Padmanabhan, Sethu, Perumbatavam Sreedharan, Kovilan have been remarkable. Significant contributions from poets and song writers such as P. Bhaskaran and ONV Kurup have influenced contemporary literature. Critics such as M Krishnan Nair have added value by providing critical analysis on the books written during the recent past.

Elephants in Kerala culture

 The elephants are an integral part of the daily life in Kerala. These Indian elephants are given a prestigious place in the state's culture. Elephants in Kerala are often referred to as the 'sons of the sahya'. The elephant is the state animal of Kerala and is featured on the emblem of the Government of Kerala.

Sarpa Kavu (Sacred Grove of the Serpent)

Sarpa Kavu (meaning Sacred Grove of the Serpent) is a typically small traditional grove of trees seen in the Kerala state of South India. These pristine groves usually have representations of several Naga Devatas (serpent gods), which were worshipped by the joint families or taravads. This was part of Nagaradhana (snake worship) which was prevalent among keralites during past centuries. It had been practised by Ezhavas, Nairs, Arayas and many other tribal, non-tribal and costal communities all over Malabar Cost in south India.

Temple Festivals